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Today, the name Harriet Martineau is synonymous with social reform, human rights and religious tracts and was so during her lifetime.   Readers may be aware of her work in America, where she actively supported the abolition of slavery, and her numerous publications on worker’s rights and Uniterianism, less attention is paid to her comments and observations about Egypt.  Apart from the information she gives us about Egypt (as she saw it), I am personally interested in Harriet from the medical point of view  -  as a qualified audiologist and teacher of Deaf people –  as you will read below.  Thus, the intention of this article is to offer a brief overview of some of Harriet’s experiences whilst travelling in Egypt following a short introduction to her life and health issues.  Where appropriate I shall include short diary quotes from the lady herself!

Early life and ill health:

Harriet Martineau (fig. 1a) was born in  June,1802 in Norwich into a middle class business family.  She seems to have suffered from poor health since infancy and, apparently, was not expected to live long – she did live, however, and died, also in June, in 1876, at the comparatively elderly age of 74 years.

Image

fig. 1a: Harriet at a young age ( not found copyright holder, please inform if need correction)

She appears to have had a remarkable memory for, in her diaries, she claims that her earliest memory was the death of Lord Nelson (fig. 1b)   -  she could only have been three years of age at that time!

Image

fig.1b: Lord Nelson memorabilia – model of ship and coffin, newspaper report of funeral

In her diaries she states that her life was overshadowed, and even controlled, by ill health; between the years 1839 and 1844 she lived as a complete invalid, it is thought she had an ovarian cyst.  It is clear from her statements that she also experienced a worsening loss of hearing so that by her late adolescence she was quite deaf.  Of course, we do not have access to the types of detailed measurements of Harriet’s hearing that is undergone by modern clients in an audiology clinical setting so we can only ‘guess’ at the extent of her infirmity.  However, from the audiological assessment point of view, all the evidence suggests to me, as an audiologist,  that Harriet probably suffered from a form of deafness known as otosclerosis.  In this condition the bones in the middle ear harden and become fixed and, therefore, are unable to transmit sound.  The condition affects mostly Caucasoid individuals and principally females; it seems likely that Queen Alexandra also suffered from otosclerosis.  Harriet reports that she often cupped a hand around her ear to aid the direction of sound and there is at least one portrait of Harriet in which she is depicted cupping a hand to her ear; she often used an ear trumpet for the same effect.  Her school experiences seem to have been greatly affected by her ongoing hearing loss, nevertheless, as we shall see below, she became well-read in both the Classical field and the then current archaeological theories.  During her lifetime she produced many publications, including religious tracts, social commentaries and novels, the proceeds of which enabled her to buy herself a home in Ambleside in the Lake District.

Overcoming difficulties with humour:

When we read Harriet’s works it is clear she was a woman of deep thought and seriousness.  Some people have stated she was humourless, however, I discovered that she did possess a rather quirky sense of humour.  With regard to her deafness she opined that it was no great disability as it meant she did not have to listen to the often aimless chatter of those around her!

Earlier I mentioned that Harriet often used an ear trumpet to assist her hearing and she tells an amusing story about how the local Egyptians at Aswan market regarded this (to them) ‘strange’ device:

‘Here [ie. in Aswan], as everywhere, my ear trumpet was handled and examined with quick    curiosity:and in almost every case, from Nubia to the Lebanon, the immediate conclusion was the same.  The inquirers put the small end to their lips, and gave a satisfied nod.  It was clearly a pipe, with an enormous bowl!’

Up and down the Nile:

It was quite common for well-to-do Europeans to do a Grand Tour, especially of both the Classical world and the Middle East.  In 1846, Harriet Martineau was invited to join a group travelling to the Middle East, principally Egypt and Palestine.  As was the usual fashion of the times, her group went by various steamers eventually arriving in Alexandria in November that year (fig. 2).

Image

fig. 2: a typical scene of steamer ‘life’ (although this is somewhat later being 1899)

Despite the group’s being in the country for merely eight months, they managed to cover a lot of ground – visiting various towns, famous ancient monuments and studying the local environments.  Harriet states ‘I carried compass and note-book, and noted down what I saw, from eminence to eminence, along the whole valley, from Cairo to the Second Cataract’; she published her account of this journey in March, 1848.

In this ‘note-book’ she comments on aspects of the landscape and wildlife, noting the seemingly unceasing conflict between the Nile and the desert in claiming the land.  It is clear she was aware of the then current research as she mentions the discoveries of watermarks high on the rocks made by Dr. Lepsius and his conviction that the Nile water bed had sunk over time; she ponders about the symbiotic relationship between the Nile crocodile and various birds.  Of the various peoples her group encountered she notes Nubians with three cheek gashes as ‘beauty-marks’ and Nubian women with tattoo marks, blue underlips, nose rings and hair minutely braided.  In keeping with her support of the abolition of slavery in America, she derides the evidence of human ownership which she actually witnessed in Egyptian slave-bazaars.

Part Two – what did Harriet see in Egypt = to follow – watch the next month’s blog space!

The celebrations for Xmas and New Year are over – in our century, but, as I promised, there will be a part two giving more detail as to how the ancient Egyptians celebrated the most important occasion in life.  As we shall see again, and below, reliefs on tomb walls show us how the ancient Egyptians had a good time and celebrated what, to them, was the most important party of all time – the Afterlife.  These selected reliefs give us clues as to how the ancient Egyptians regarded their present (earthly life) as opposed to their expected afterlife – the goal of all time!

The Ancient Egyptian party: what does it tell us?

Perhaps the most essential factor to remember is that when you see all these people having a good time is that – they are all actually DEAD!  They have, like any other ancient Egyptian:

-  died

-  been mummified (ie. those of high status)

-  have travelled through the underworld

-  have passed various tests, devised by the Gods, to test their suitability to enter the afterlife

-  have been accepted as suitable for the afterlife

Thus, having been accepted into the afterlife they are then entitled to enjoy a good time!

The people featured in the party have, as we are given to understand, passed the relevant tests set by the Gods and so are accepted for entrance into the next life.  Yes, they are dead and, according to the tests they have passed, the Gods (and Goddesses) are welcoming them into the next life.  How do we know they are being represented as dead?  Well, it has often been suggested that the strange cones on their heads (see fig. 1) represent the fact that they are, in fact, dead.

Image

fig. 1: a high status party in the next life p note the cones (of animal fat?) on the heads of the musicians.

These cones, which may well be blocks of animal fats, are perched on the heads of people guesting in these parties.  Many researchers have suggested that these blocks of ‘fat’ are there merely to  add a sensual feel to the scene – their being, probably, infused with flowers and aromatic oils.  Thus, it has been suggested that, as in some tomb scenes, we can see the residues of fat melting over the party-goers costumes in the extreme heat, leaving a yellowish trail in its wake.  It has been suggested that they are there solely to indicate sensual pleasure. Yet, perhaps this idea should be challenged.  We should consider exactly how hot it would have needed to be (in these parties) in order for such animal fats to actually melt  -  I suspect VERY hot indeed!  Do we accept this supposition that ancient Egyptian party-goers would actually undergo such extreme heat – extreme enough to melt animal fats?  This would have been extremely uncomfortable (to say the least) – I don’t think any human being, ancient or modern, would willingly undergo such ‘torture’ – even for the sake of appearing at a great, high-ranking party!  Not such a good idea!

So, we return to the alternative idea that these animal fat cones on party-goers’ heads might, in fact, be really informing us that these people are dead.  I feel it might be similar to the images seen in Christian art, whereby those who are actually dead (and are also, perhaps, martyrs) are shown wearing a halo around the head – indicating that they are now with God (ie. dead, in the physical sense).  This may be the case in ancient Egypt – whereby the animal cone fat is a symbolic representation indicating that the people we are viewing are, in fact, dead!  Thus, they are with the Gods – their ultimate goal.

Food and drink:

One of the essential ingredients for a celebratory party was of course – good food.  No party is complete without such delicacies.  Many ancient Egyptian tomb reliefs show us depictions of tables laden with food.

Image

fig. 2: tomb scene, showing a table laden with food and pots of drink beneath

The scene in figure 2 is a fairly typical of the genre.  Here we see a table piled high with tempting food items: fruit, bread, a leg of meat and other mouth-watering items.  It is important to remember that certain items, such as meat, were indeed special items.  The majority of ordinary people in ancient Egypt did not enjoy the luxury of eating meat.  Meat (cattle, sheep, goats) were expensive and desirable items in ancient Egyptian society – but only the rich could afford to eat such things.  Cattle were regarded as a sign of wealth and status – this cattle status is maintained in some modern African cultures (fig. 3).

Image

fig. 3: cattle are highly prized in many African cultures, as in Nubia/modern northern Sudan

We know that cattle, for example, in ancient Egypt were considered as luxury items because we see scenes of (and read accounts of) cattle counts wherein wealthy Egyptians would count their cattle every year to find out how many adult cattle had died, how many calfs had been born – and so, enable them to assess their then current wealth.  Figure 4 shows how well cattle were regarded in the ancient Egyptian wealth stakes!

Image

fig. 4: how high;y cattle were prized is seen here in the Tomb of Nebamun

Beneath the table of food we see the other essential ingredients for a ‘good party’ – tall pots of liquid, probably wine, if the grape vines overlying them are indicative of the contents!  Like any party, ancient or modern, people drank too much (fig. 5).

Image

fig. 5: alcohol, then as now, was very attractive at parties!

Image

fig. 6: the consequences of too much alcohol!

The consequences are not unfamiliar – figure 6 clearly shows that ancient people suffered from ‘nausea’  as much as do modern people – nothing is new!

          ANIMALS  IN  ANCIENT  EGYPTIAN  LIFE: a day school

              by Joyce Filer, Egyptologist, Physical Anthroplogist

 

Venue:  City Lit College, Covent Garden, London, WC2

Date:   Sat.  25th January 2014, 10:30 am – 4.30 pm

Course code:  HH047  (see also: classics@citylit.ac.uk)

 

This day course will examine the range of animals encountered by the ancient Egyptians, including:

Image

Scene from Tomb of Nebamun, including creatures of the land, water and air

 

Creatures of the land/desert                               

Creatures of the Nile/waters

Creatures of the air  

 

Utilising a range of sources – texts, artwork and biological remains – we shall discuss the contribution made by these creatures to ancient Egyptian society in terms of daily life and religious and funerary beliefs

 

Join us and learn more about the most fascinating civilisation of the ancient world

Now we are in that strange no-man’s land of time – between Christmas and New Year – it is a good time to show (pictorially) how the ancient Egyptians celebrated the important occasions in life.  Reliefs on tomb walls show us the ancient Egyptian capability for ‘having a good time’.  Part Two in 2014 will examine the information in greater detail.

The essential ingredients for a celebratory party were:

1.  GOOD  MUSIC and bring on the dancing girls!!!

Image

A scene from the Tomb of Nebamun, part of an excellent display at the British Museum, London

2.  GOOD  FOOD: tables laden high with bread, meat and fruit

Image

An offering table showing the large range of food and drink potentially available to the higher ranks of ancient Egyptian society

3.  GOOD  DRINK served in decorated bowls

Image

A scene from the Tomb of Nebamun (in the British Museum). Scantily clad servants served potent drinks to wealthy guests at the celebrations

but, in ancient times, as in modern – there can be too much of a good thing!!!!!

Image

Drawing from a tomb relief showing the consequences of excessive alcohol consumption – nothing new there then!!!

HAPPY  NEW  YEAR  2014  TO   EVERYBODY  (let’s be careful out there!!!)

Following positive responses to an earlier blog about injuries in ancient Egypt and Nubia, and as a response to requests for more detailed information about head injuries,  I thought it would be useful to consider the range of Egyptian/Nubian sources we have for head injuries in ancient times.  
 
When one mentions head injuries in ancient Egypt almost always somebody raises the question: did Tutankhamun die from a head injury?  So I think it is important, straight away, to tackle this thorny question.  I am one of the few people in biological research who has actually seen the early X-rays of Tutankhamun’s skull – I can state quite categorically that there is no evidence whatsoever of his having received a head injury (either before or after death).  In a forthcoming article on the famous young king of Egypt I shall address this question again more fully and deal with other controversial issues surrounding the biological evidence emanating from the examination(s) of his body.
 
Throughout history cranial injury has been a universal event – people have inflicted injury upon one another sometimes in civilian or domestic disputes and more often during the course of warfare.  The people of ancient Egypt and Nubia were no exception to this fact and we have evidence of such injuries, from predynastic times right through to the Christian Medieval period (1).  Thus, the first aim of this article is to outline the range of sources informing us about the ancient Egyptian and Nubian experiences of head injuries (2).
 
Overall, injuries to the head are more likely to be intentionally inflicted than those to other parts of the body, although accidental falls, although perhaps rarer, cannot be disregarded.  Interestingly, regardless of the ancient culture concerned or the period in history under study, research has shown that universal patterns can be observed in head injuries  with regard to gender involvement, position of injury and types of weapons used. Thus, the second aim of this article is to demonstrate how ancient Egypt and Nubia fits into this universal model of cranial injury. For both aims of this article notes and further references are included, where relevant.
 
Sources: artistic and textual
We are very fortunate that ancient Egypt offers researchers a large selection of artistic and textual sources concerning aspects of their society and from these we can glean quite a lot about trauma to the skull.  Artistic sources clearly demonstrate the power of an actual cranial injury or the implied threat of inflicting one.  A familiar ancient Egyptian artistic motif is that of the king (later Pharaoh) standing legs astride, grasping enemies by the hair and holding a weapon threateningly over them.  Perhaps, the most familiar example of these ‘smiting’ images is that of the predynastic Narmer Palette – here, the king (Nar-Mer) grasps the locks of a bearded (ie. non-Egyptian) enemy with his left hand whilst holding a mace in his right hand; this iconographic stance is repeated throughout Egyptian history, probably as a symbol of power.  Whether or not the kings of ancient Egyptian actually engaged in physical combat is not the point here – clearly the possible after effects of an injury to the skull ( brain injury, disability or death) was understood by all parties involved and thus, the power of merely the threat of such an injury would have been enough to subdue most enemies of Egypt.  Further artistic evidence for head injuries is clearly demonstrated in the large number of battle scenes available for us to study (fig. 1); they also indicate the types of weapons available at particular periods of history. Thus, hand-to-hand battle scenes may show crushing, cutting or slicing injuries inflicted by maces, swords and knives whilst longer range combat scenes show bodies being pierced by arrows. 
 
Image figure 1
 
Ancient Egypt is a vast source of textual information and the medically related documents are most informative.  Perhaps the most useful text pertaining to cranial injury is that known as the Edwin Smith Papyrus (3). It is often termed the ‘Surgical’ papyrus as it describes the diagnoses and management of a variety of bodily injuries, many of which involve trauma to the head.  The papyrus was purchased by a wealthy American, Edwin Smith, after whom it is named and was translated by James Breasted in 1930 and a remarkably fine piece of work it is! The work is seemingly topographic in its design – in that it describes injuries to parts of the head and works its way down to the upper body.  The cases of injury described were possibly those witnessed, recorded and reported upon by a surgeon; each case describes an injury, suggests a prognosis and recommends treatment (or not, as the situation demands).  However, it breaks off (ie, the rest of the text is missing) in the middle of a medical case and we are left without knowing more!  The Edwin Smith Papyrus describes a range of injuries from broken noses and cuts, which are deemed treatable, to the more serious incidents involving severe gashes and exposure of the brain – which, unsurprisingly, the author deems as fatal, using the ominous phrase “An injury with which I will not contend”.
 
 
Sources: biological
The archaeological excavation of  human remains in Egypt and Nubia have brought to light quite a large number of head injuries and it is interesting to see how these compare with  the universal pattern of head injuries and with those depicted in artistic and textual sources, as alluded to above.
 
Researchers have noted that in most ancient cultures males sustained more head injuries than females, possibly because traditionally men were more involved in situations leading to trauma – heavy labouring jobs and, of course, war. This gender ratio is seen in Egyptian and Nubian biological remains. We see men engaged in manual work in many Egyptian tomb scenes; other scenes show men engaged in combat, often with unprotected heads.  In the universal sense, the majority of head injuries were inflicted to the left side of the head indicating a right-handed face-to-face assailant and possibly reflecting the Egyptian preference for right-handedness; some injuries affected the top part of the head suggesting an assault from above.  My personal research has found injuries to the back and right side of skulls but they seem to be in the minority.
 
Clearly, types of head injuries will reflect the type of weapon used. For example, the scene in figure 1 shows men engaged in hand-to-hand combat – thus any ensuing injuries will reflect this. Here we would expect slicing injuries, the severity of which would depend upon the strength of the metal from which the weapons were made. As this scene is from the Old Kingdom period the weapons were likely to be made of copper or bronze – which, although capable of inflicting serious injury, are softer metals than the iron used in later periods.
 
In a large group of Nubian skulls I studied, the injuries were mostly depressions – some round, some ovoid, others longitudinal.  The injuries on these skulls, which were from Kerma and dated to the Middle Kingdom period, clearly reflected the types of weapons and tools available to that society at that particular period: mallets, throwsticks and maces.  The extent of such depressed injuries can be seen in the X-ray in figure 2.
 
Image figure 2
 
By contrast, a large group of Egyptian skulls (from Giza) which I studied  were from a much later period (600 – 300 BC) and so showed far more serious injuries: gashes, blows and deep penetrating wounds; by this period of their history the ancient Egyptians had developed iron technology resulting in some heavy duty weapons – axes, swords and knives – capable of causing quite massive injuries (fig. 3). The head injury seen in figure 3 is a deep, penetrating gash probably made by an axe, however, despite its severity, the wound has healed well.
 
Image figure 3
 
Ancient Egypt and Nubia offers a large range of sources for the head injuries experienced during their history – textual, artistic and biological but clearly only a small sample can be included here.  Few ancient societies can offer such a comprehensive range of materials for us to study in order to try and comprehend human behaviour in the ancient world and compare it with that of the modern world!  It is quite clear that the ancient Egyptians and Nubians experienced head injuries in a similar manner to other ancient cultures.
 
 
Further reading:
 
(1) Readers may be interested in looking at  G. Elliot Smith and F. Wood Jones (1910), The Archaeological Survey of Nubia. Report for 1907-08, Volume II: Report on the Human Remains. Cairo: 1910 – although this is an ‘elderly’ work it is an excellent example of the study of burials from these periods of Egyptian history; often quite ‘dramatic’ head injuries are noted for some bodies examined during this survey.
 
(2) See further: Joyce M. Filer, ‘Ancient Egypt and Nubia as a source of information for violent cranial injuries’  in J. Carman (ed) Material Harm: Archaeological Studies of War and Violence, Cruithne Press: 1997, p.
 
(3) Edwin Smith (Surgical) Papyrus (2 vols). Published in facsimile and hieroglyphic transliteration (with translation and commentary). Chicago, Illinois: University of Chicago Press: 1930
 
 
 
 
 

 

The following notes are comments on the following montage of photographs, which comprises only a small selection of available images and should be viewed 1 – 12 from left to right and going down the three columns from top to bottom. Montage design copyright: R. Barritt, images copyright: J. Filer

 

A science montage at BM

 

Science Week is a yearly event, often held around March, when various institutions who are interested in developing educational opportunities offer talks and demonstrations promoting aspects of science.  On many occasions I am asked to present talks with a scientific theme concerning ancient Egypt.  So it will come as no surprise to those who know me that I am keen to present information about the use of CT scanning in the scientific investigation of ancient Egyptian mummies.

Image 1:

One of the many venues who promote the dissemination of scientific knowledge about mummies is, of course, the British Museum  – and I have often presented talks there, as you can see in this photograph.

The museum is always keen to learn more about the many Egyptian mummies in their keeping and, not being allowed to unwrap these artifacts, many of the mummies are examined with the aid of hospital CT scanners.  Computed Tomography (CT) or Computed Axial Tomography (CAT)  scanners allow us to look inside mummies without resorting to pulling them apart – the technique is non-invasive and non-destructive (see note 1). Essentially, in this technique a mummy is placed on a movable table which allows  particular sections of the body to be examined in detail as the mummy is moved in and out of the scanner.  A computer, as the name implies, is used to record information detected on disks.  A photograph of  a mummy being CT scanned can be seen in my blog article on the mummy of Artemidorus,

All the images in this montage are focused on skulls.

Image 2:

Here we are looking inside the skull inside the mummy of a woman named Hermione (grammatike) who, it is suggested, lived and died in Egypt at about AD 40-50 (see note 2).  The mummy is now held in Girton College, Cambridge.  This image demonstrates that the scanner can not only penetrate the often great volume of linen wrapping the body but can also look inside cavities – here the skull cavity.  All achieved without harming or disturbing the precious mummy.  Here, all the X-ray images of her skull have been put together to allow the computer to generate a 3D model.

For this particular mummy, Hermione, we can see that her skull cavity is empty because the brain has been removed by the ancient embalmers who prepared the body.  The brain would be removed by inserting a long metal hook up the nose and, following the breaking of the ethmoid bones, entry is effected into the skull cavity.  Then the brain was pulled out – it was usually thrown away as the ancient Egyptian did not place the same value on the human brain as we do nowadays.  Close scrutiny of the inner table of Hermione’s skull case shows scratch marks where the hook has marked the bone as the brain was scraped out.

Image 3:

This title reminds us that, in effect, CT scanning is really an X-ray technique, albeit a rather superior one.  Thus, the information mentioned above as being recorded on disks can also be printed out on X-ray type film if  a hard copy is needed.

Image 4:

This is the same skull as in image 2 but in this view we are looking at the external view of Hermione’s skull.  We can see the bone is in excellent condition and, very usefully, this view aids the determination of the lady’s age at death.  This lateral 3D view shows us her teeth and, more importantly, her molar teeth (shown here at the right side of her mouth).  The third molar teeth (popularly termed  wisdom teeth) are the last teeth to erupt into the jaw.  A  person’s age can be indicated by the stage of development of the dentition.  Thus, we see Hermione’s third molar shown is only partially descended suggesting her age at death was before 21 years (if compared with modern dental data).

Image 5:

This title reminds us of mummification techniques.  Often, but not always, the ancient Egyptian embalmers would put some form of packing in the brain cavity following the removal of the brain – this packing was usually  linen or resin.  Sometimes mud and linen was packed into the mummy’s mouth.

Image 6:

Here is an example of brain case packing as outlined in note 5.  Here we can see inside a mummy’s head (through CT scanning).  The head is that of a mature male and clearly after his brain was removed, in ancient times, the embalmers have pushed strips of linen up the nose and into the brain cavity.  Mud was then packed into the nostrils and mouth.  Note: the image here is shown upside down to aid  orientation – hence the nose is facing the lower part of the X-ray.

Image 7:

Here we return to Hermione.  This mummy is well-known because she is  what is termed in Egyptology ‘a portrait mummy’.  During the Roman control of ancient Egypt there were significant differences in the preparation of mummies: often ‘new’ Roman ideas were incorporated into traditional Egyptian funerary  practices.  Thus, some mummies of this period incorporated a painted portrait of the deceased in the mummy wrappings.  We often wonder if these portraits were accurate.  Here was an opportunity to use a digitised version of Hermione’s portrait and then apply it to a 3D model of her skull (as viewed within the wrappings).  Certainly, the skull and facial shape displayed in the portrait matches the actual biological information obtained from the bony skull.  However, we can know if her hair and eyes were really brown, as the portrait suggests, but it is likely to be true!

Image 8:

This is another view of the mummy portrait applied to a £D model – the model was milled by the computer following the measurements detected during the CT examination of Hermione’s mummy.

Image 9:

Again, we are reminded of the interesting 3D possibilities offered by computer examination.  Although all the images in this montage concentrate on skulls this title reminds us that the 3D technique can be  applied to any part of a computer examined skeleton.

Image 10:

Here is the milled model, in screen form, before the application of the digitised mummy portrait.  After measuring all aspects of the skull the computer is then instructed to reproduce what it has detected on a block of material (somewhat similar to polystyrene).  There is no colour at this point as the CT scanner cannot tell us what colours are within the mummy package (eg. hair or skin colour for example).

Image 11:

This is a three-quarter view of Hermione’s skull in 3D – it is another view of that seen in image 4.  From this we can see that the bone is in excellent condition and the teeth remarkably so.  Many researchers find that many ancient Egyptians had many teeth problems: missing teeth, worn down teeth, gum disease etc) but here Hermione displays an excellent dentition.

Image 12:

Finally, me again!  Here I am outlining the features of the 3D model also shown in image 10.  The model (based on measurements of the actual skull) indicate that Hermione had an oval face – very elegant in the modern day view.

These notes, together with the montage, show the value and potential of modern technology in the examination of ancient human (and animal remains) and in these cases the examination of a male mummy head and the full mummy of the famous Hermione.

*                    *                     *

NOTES:

1.  For further information about how CT scanning and X-ray techniques benefit the scientific study of mummies see:

Joyce Filer, Disease, British Museum Press, 1995, particularly pp. 45-51.

Joyce M. Filer, ‘If the Face Fits….. A Comparison of Mummies and their Accompanying Portraits Using Computerised Axial Tomography‘ in M.L. Bierbrier (ed), Portraits and Masks. Burial Customs in Roman Egypt, British Museum Press, 1997: pp. 121- 126 & plates 44-46.

Joyce M Filer, ‘Ancient Bodies, but modern techniques: the utilisation of CT scanning in the study of ancient Egyptian mummies’, in R. Arnott (ed) The Archaeology of Medicine, Archaeopress BAR International Series 1046, 2002: pp. 33-40

2. But see: Ancient Faces. Mummy Portraits from Roman Egypt, British Museum Press, 1997, pp. 37-39 for discussion of the dating of this mummy (and photographs of Hermione’s mummy).

The following notes are comments on the following montage of photographs, which comprises a small selection of images and should be viewed 1 – 12 from left to right and going down the three columns from top to bottom.

Images: copyright J. Filer, montage design: R. Barritt

Image

Science Week is a yearly event, usually held around March, when various institutions who are interested in developing educational opportunities offer talks and demonstrations promoting aspects of science.  On many occasions I am asked to present talks with a scientific theme concerning ancient Egypt.  So it will come as no surprise to those who know me that I am keen to present information about the use of CT scanning in the scientific investigation of ancient Egyptian mummies.

Image 1:

One of the many venues who promote the dissemination of scientific knowledge about mummies is, of course, the British Museum  – and I have often presented talks there, as you can see in this photograph.

The museum is keen to learn more about the many Egyptian mummies in their keeping and, not being allowed to unwrap these artifacts, many of the mummies are examined with the aid of hospital CT scanners.  Computed Tomography (CT) or Computed Axial Tomography (CAT)  scanners allow us to look inside mummies without resorting to pulling them apart – the technique is non-invasive and non-destructive (see note 1). Essentially, in this technique a mummy is placed on a movable table which allows  particular sections of the body to be examined in detail as the mummy is moved in and out of the scanner.  A computer, as the name implies, is used to record information detected on disks  (A photograph of the technique can be seen in my first blog article on the mummy of Artemidorus.

All the images in this particular montage are focused on skulls.

Image 2:

Here we are looking inside the skull inside the mummy of a woman named Hermione (grammatike) who, it is suggested, lived and died in Egypt at about AD 40-50 (see note 2).  The mummy is now held in Girton College, Cambridge.  This image demonstrates that the scanner can not only penetrate the often great volume of linen wrapping the body but can also look inside cavities – here the skull cavity.  All achieved without harming or disturbing the precious mummy.  Here, all the X-ray images of her skull have been put together to allow the computer to generate a 3D model.

For this particular mummy, Hermione, we can see that her skull cavity is empty because the brain has been removed by the ancient embalmers who prepared the body.  The brain would be removed by inserting a long metal hook up the nose and, following the breaking of the ethmoid bones, entry is effected into the skull cavity.  Then the brain was pulled out – it was usually thrown away as the ancient Egyptian did not place the same value on the human brain as we do nowadays.  Close scrutiny of the inner table of Hermione’s skull case shows scratch marks where the hook has marked the bone as the brain was scraped out.

Image 3:

This title reminds us that, in effect, CT scanning is really an X-ray technique, albeit a rather superior one.  Thus, the information mentioned above as being recorded on disks can also be printed out on X-ray type film if  a hard copy is needed.

Image 4:

This is the same skull as in image 2 but in this view we are looking at the external view of Hermione’s skull.  We can see the bone is in excellent condition and, very usefully, this view aids the determination of the lady’s age at death.  This lateral 3D view shows us her teeth and, more importantly, her molar teeth (shown here at the right side of her mouth).  The third molar teeth (popularly termed  wisdom teeth) are the last teeth to erupt into the jaw.  A  person’s age can be indicated by the stage of development of the dentition.  Thus, we see Hermione’s third molar shown is only partially descended suggesting her age at death was before 21 years (if compared with modern dental data).

Image 5:

This title reminds us of mummification techniques.  Often, but not always, the ancient Egyptian embalmers would put some form of packing in the brain cavity following the removal of the brain – this packing was usually  linen or resin.  Sometimes mud and linen was packed into the mummy’s mouth.

Image 6:

Here is an example of brain case packing as outlined in note 5.  Here we can see inside a mummy’s head (through CT scanning).  The head is that of a mature male and clearly after his brain was removed, in ancient times, the embalmers have pushed strips of linen up the nose and into the brain cavity.  Mud was then packed into the nostrils and mouth.  Note: the image here is shown upside down to aid  orientation – hence the nose is facing the lower part of the X-ray.

Image 7:

Here we return to Hermione.  This mummy is well-known because she is  what is termed in Egyptology ‘a portrait mummy’.  During the Roman control of ancient Egypt there were significant differences in the preparation of mummies: often ‘new’ Roman ideas were incorporated into traditional Egyptian funerary  practices.  Thus, some mummies of this period incorporated a painted portrait of the deceased in the mummy wrappings.  We often wonder if these portraits were accurate.  Here was an opportunity to use a digitised version of Hermione’s portrait and then apply it to a 3D model of her skull (as viewed within the wrappings).  Certainly, the skull and facial shape displayed in the portrait matches the actual biological information obtained from the bony skull.  However, we can know if her hair and eyes were really brown, as the portrait suggests, but it is likely to be true!

Image 8:

This is another view of the mummy portrait applied to a 3D model – the model was milled by the computer following the measurements detected during the CT examination of Hermione’s mummy.

Image 9:

Again, we are reminded of the interesting 3D possibilities offered by computer examination.  Although all the images in this montage concentrate on skulls this title reminds us that the 3D technique can be  applied to any part of a computer examined skeleton.

Image 10:

Here is the milled model, in screen form, before the application of the digitised mummy portrait.  After measuring all aspects of the skull the computer is then instructed to reproduce what it has detected on a block of material (somewhat similar to polystyrene).  There is no colour at this point as the CT scanner cannot tell us what colours are within the mummy package (eg. hair or skin colour for example).

Image 11:

This is a three-quarter view of Hermione’s skull in 3D – it is another view of that seen in image 4.  From this we can see that the bone is in excellent condition and the teeth remarkably so.  Many researchers find that many ancient Egyptians had many teeth problems: missing teeth, worn down teeth, gum disease etc) but here Hermione displays an excellent dentition.

Image 12:

Finally, me again!  Here I am outlining the features of the 3D model also shown in image 10.  The model (based on measurements of the actual skull) indicate that Hermione had an oval face – very elegant in the modern day view.

These notes, together with the montage, show the value and potential of modern technology in the examination of ancient human (and animal remains) and in these cases the examination of a male mummy head and the full mummy of the famous Hermione.

NOTES:

1.  For further information about how CT scanning and X-ray techniques benefit the scientific study of mummies see:

Joyce Filer, Disease, British Museum Press, 1995, particularly pp. 45-51.

Joyce M. Filer, ‘If the Face Fits….. A Comparison of Mummies and their Accompanying Portraits Using Computerised Axial Tomography‘ in M.L. Bierbrier (ed), Portraits and Masks. Burial Customs in Roman Egypt, British Museum Press, 1997: pp. 121- 126 & plates 44-46.

Joyce M Filer, ‘Ancient Bodies, but modern techniques: the utilisation of CT scanning in the study of ancient Egyptian mummies’, in R. Arnott (ed) The Archaeology of Medicine, Archaeopress BAR International Series 1046, 2002: pp. 33-40

2. But see: Ancient Faces. Mummy Portraits from Roman Egypt, British Museum Press, 1997, pp. 37-39 for discussion of the dating of this mummy (and photographs of Hermione’s mummy).

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